YouTube Gets near Original Content Deals

YouTube Gets near Original Content Deals By Georg Szalai October 4, 2011 Photo by Getty Images Tony Hawk NEW You are able to - YouTube is putting the finishing touches on handles programming partners which are made to bring professional content towards the Google-possessed online video site in funnel form, the "Wall Street Journal" reported.One of the content partners which have signed or are required to sign with YouTube are skate boarder Tony Hawk, media companies, for example Warner Bros. and News Corp.'s ShineReveille unit, RTL Group's FremantleMedia, which produces "The X Factor," BermanBraun, which has created shows for SyFy along with other cable channels, and IAC's Electus, run by Ben Silverman, based on the "Journal."To supplement potential partners, it pointed out CSI creator Anthony Zuiker, Everyday Health, which produces quite happy with celebrity trainer Jillian Michaels yet others, Legendary Entertainment, founded by former Sundance Funnel mind Ray Aidem and former VH1 executive Michael Hirschorn, DECA, making movie content for ladies, and?a sports content venture released by National basketball association player Baron Davis and funds Warren. The "Journal," a part of Rupert Murdoch's News Corp., added that it could also produce news content for any YouTube funnel.Using its content deals, YouTube is searching to become next-generation content provider having a slew of online "channels" showing professional programming. The approach is comparable to the way cable operators offer channels, but YouTube is not charging customers monthly customer costs.??The website is investing a lot more than $100 million in payday loans for that content production and it is searching for advertising revenue in exchange, the "Journal" stated. It will later split that ad revenue with content partners. The professional content channels are required to unveil next year.A YouTube spokesperson told the "Journal": "We do not discuss rumor or speculation, but we are always speaking to content designers and curators of all types about building audiences online.Inch The Hollywood Reporter YouTube Gets near Original Content Deals By Georg Szalai October 4, 2011 Tony Hawk PHOTO CREDIT Getty Images NEW You are able to - YouTube is putting the finishing touches on handles programming partners that can bring professional content towards the Google-possessed movie site in funnel form, the "Wall Street Journal" reported.One of the content partners which have signed or are required to sign with YouTube are skate boarder Tony Hawk, media companies, for example Warner Bros. and News Corp.'s ShineReveille unit, RTL Group's FremantleMedia, which produces "The X Factor," BermanBraun, that has created shows for SyFy along with other cable channels, and IAC's Electus, run by Ben Silverman, based on the "Journal."To supplement potential partners, it pointed out CSI creator Anthony Zuiker, Everyday Health, which produces quite happy with celebrity trainer Jillian Michaels yet others, Legendary Entertainment, founded by former Sundance Funnel mind Ray Aidem and former VH1 executive Michael Hirschorn, DECA, making movie content for ladies, and?a sports content venture released by National basketball association player Baron Davis and funds Warren. The "Journal," a part of Rupert Murdoch's News Corp., added that it could also produce news content for any YouTube funnel.Using its content deals, YouTube is searching to become next-generation content provider having a slew of online "channels" showing professional programming. The approach is comparable to the way in which cable operators offer channels, but YouTube is not charging customers monthly customer costs.??The website is investing a lot more than $100 million in payday loans for that content production and it is searching for advertising revenue in exchange, the "Journal" stated. It'll later split that ad revenue with content partners. The professional content channels are required to unveil the coming year.A YouTube spokesperson told the "Journal": "We do not discuss rumor or speculation, but we are always speaking to content designers and curators of all types about building audiences online.Inch The Hollywood Reporter

You'll Never Guess What R-Rated Comedy Newt Gingrich Watched 7 Times

Funny story: Newt Gingrich is still hoping to become the Republican presidential candidate in the 2012 general election, despite poll numbers in the single digits. Equally funny story: Gingrich has reportedly admitted to watching 'The Hangover' not once, not twice, but seven times. Gingrich told the Concord Monitor (via The Hill) that he and his wife love 'The Hangover' even though the Todd Phillips-directed film is "totally stupid." "We can't help ourselves," said Gingrich. No word on whether the long-shot presidential candidate has the same affinity for 'The Hangover Part II,' but if so, he should probably keep it to himself when he visits Utah. [The Hill] [Photo: AP] Follow Moviefone on Twitter Like Moviefone on Facebook

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Lifetime renews 'Dance Moms'

Lifetime has renewed "Dance Moms" for a 13-episode second season. The audience for "Dance Moms" has increased during its freshman campaign, which ends Oct. 5. Over the past four weeks, the unscripted skein has averaged 1.6 million viewers, a 62% increase over its premiere. For the year, it is averaging 1.3 million. Lifetime also notes that with a median viewer age of 38, "Dance Moms" is the cabler's youngest-skewing original program. Jeff Collins, Bryan Stinson and John R. Corella exec produce "Dance Moms" for Collins Avenue. Contact Jon Weisman at jon.weisman@variety.com

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TV Ratings: 'The Office' Return Dips, 'The Big Bang Theory' Tops Thursday

NBC The competition is getting fierce on Thursday nights. Fox topped the night with the second episode of The X Factor (12.5 million total viewers, 4.3 rating in adults 18-49 demographic). Simon Cowell's new reality competition series tied its series debut on Wednesday in total viewers and retaining most of its demo (4.3 vs. 4.4). So far this week, the network has notched victories for three of the four nights of the fall season. (Tuesday, Wednesday, Thursday). PHOTOS: Fall TV Death Pool: Which Show Will Be Axed First? Still, it was CBS' premiere of The Big Bang Theory (14.1 million, 4.8 and 14.7 million, 5.0) -- the show, airing back-to-back episodes and celebrating Jim Parson's second Emmy win -- that took the crown as the night's highest-rated and most-watched program for its 8:30-9 p.m. telecast. Person of Interest (13.2 million, 3.1), the high-concept drama from J.J. Abrams and Jonathan Nolan was down 9 percent compared to CSI's premiere, but ranked as the most-watched program at 9 p.m. At 10 p.m., The Mentalist (13.6 million, 2.8), down 18 percent from its premiere last year, still won the night in total tune-in. CBS was No. 2 in the demo, averaging a 3.6, but continued to fulfill its name of the "most-watched network," averaging a Thursday high: 13.6 million. PHOTOS: Behind the Scenes of THR's 'X Factor' Cover Shoot ABC's Charlie's Angels reboot (8.7 million, 2.1), though performing well above the launch of My Generation last September, didn't exactly strike a chord with viewers. The two-hour premiere of Grey's Anatomy (10.3 million, 4.1) dipped 24 percent and ranks as the veteran medical drama's lowest-premiere to date. NBC's Thursday night comedy lineup all saw decreases from last year, with most hitting lows for its season openers: Community (4 million, 1.7) dipped 23 percent, Parks & Recreation (4.1 million, 2.0) was down 38 percent and The Office (7.6 million, 3.9), with the reveal of a new branch manager and the first episode of James Spader's as a regular, saw a 11 percent drop. The eighth season opener of The Office is its lowest-rated since the first season. PHOTOS: Fall's 12 Most Anticipated Shows Even Whitney (6.1 million, 3.2) didn't improve upon the debut of work comedy Outsourced, which was canceled after one season, down 11 percent. The lull affected the launch of new series Prime Suspect (6 million, 1.8), the U.S. reboot with Maria Bello, which barely contended with its competition (The Mentalist, Grey's Anatomy) at 10 p.m. Up against heavy competition, the CW dramas The Vampire Diaries (2.5 million, 1.2) and The Secret Circle (2 million, 0.9) both saw steep drops. TV Ratings

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Crix mull Toronto fest's levels, lows

'Shame'Woody Harrelson was notable being an LAPD cop in Rampart. "Your Sister's Sister" Variety's senior film experts weigh in around the breakthroughs and disappointments from the 2011 Toronto Film Festival, which unspooled a selection strong on racy relationship drama, weak on politics and sometimes excessively just a few its stars.Peter Debruge: Under per week into North America's greatest film fest, things all of a sudden got cold in Toronto. The knit tops arrived on the scene, the purchasers went home and also the last couple of nights of gala tests put a definite chill on everyone's enthusiasm. Frankly, the ultimate stretch continues to be something of the disappointment for any festival that began out so strong, packing the kind of "Moneyball," "The Descendants" and "Shame" into its opening weekend.How did this happen? Tell any Toronto native you are around for that festival, and also the question always returns exactly the same: "So, perhaps you have seen any stars?" That virtually describes the fest's most questionable options, including fancy late-week premieres of these disappointments as "Trespass" (which stars Nicole Kidman and Nicolas Cage), "Purple and Daisy" (with Saoirse Ronan and James Gandolfini) and "Winnie," by which Jennifer Hudson and Terrence Howard reveal the unsung love story between your Mandelas.Justin Chang: Using its fabulous clothes and amusing old-age prosthetics, "Winnie" was one love story If only have been left unsung (that goes double for Jennifer Hudson's closing number). Between might Luc Besson's "The Woman,Inch Let me propose a festival moratorium on banal, well-meaning political biopics rather, it'd happen to be nice to possess some movies with a soupcon of actual politics.The possible lack of political emergency was particularly glaring considering the tenth anniversary of 9/11, to start dating ? that cuts especially deep with this September festival. Toronto duly commemorated the big event by showing a sober, rather self-serving tribute clip before tests on Sept. 11. But movies speak even louder than PR gestures, and when the 2010 selection is any suggestion, tales of terrorism and retaliation aren't weighing too heavily on present day filmmakers, who generally appear thinking about having sex, not war. Terence Davies' "The Dark Blue Ocean" and Mia Hansen-Love's "Goodbye First Love" superbly explore the ravages of turned away romance, as well as in their own, frequently fearlessly explicit ways, Sarah Polley's "Take This Waltz," David Cronenberg's "A Harmful Method" and Steve McQueen's "Shame" all test the limitations of forbidden desire.PD: "Shame" tests the limitations, okay, though I did not interact with it the way in which many experts at Venice, Telluride and Toronto did. It's fascinating that Michael Fassbender does the autumn-fest trifecta with both "Shame" and "Method": Within the latter, he plays Carl Jung, whereas "Shame" requires a decidedly non-psychoanalytic method of sex addiction. Rather than explaining, McQueen examines the smoothness through oblique angles, lengthy takes and unspoken moments. It's agonizing by design, though I'd have loved a little more insight or story make it possible for an association using the character.I discovered the approach I needed in another film, Oren Moverman's "Rampart," which signifies an enormous advance for that director of "The Messenger." With several compelling story lines along with a well-established feeling of its characters' backstories, "Rampart" takes us in to the gnarly mind of the corrupt LAPD officer, performed by Woodsy Harrelson, who experiences the film half-cocked with earthworm-thick veins throbbing both in temples. I loved the complexness churning behind his tinted shades -- a pleasant contrast using the zen-like inscrutability from the fest's other great L.A.-set thriller, "Drive."JC: I'll avoid gushing a lot more than I curently have about "Shame," though I'll state that your issues with McQueen's film -- its avoidance of easy identification and embrace of ambiguity -- are virtually the alternative from the problems I'd together with your fest fave, "The Descendants." Not too I do not admire Alexander Payne's bittersweet dramedy it is the smoothest picture of his career and most likely as funny a movie about losing a spouse/parent as anybody has available. However I like my movies about dying to visit lower with a little more sting, especially from the director who's done his best product (for me personally, "Election") within the key of callous satire.For "Rampart," as i did not respond as vigorously while you did, I am entirely agreement about Woodsy Harrelson's terrific performance, and between this and "The Messenger," Moverman is clearly a large talent. Similarly satisfying were the confirmations of early promise from filmmakers like Julia Loktev together with her accomplished and intelligent "The Loneliest Planet" Lynn Shelton together with her terrifically behaved "Your Sister's Sister" (acquired by IFC within this steady although not spectacular sales year) and Polley with "Take This Waltz."PD: No film affected me more at Toronto than "Take This Waltz." Stylistically, the film is nearly off-investing in its sunny cuteness, but, like a portrait of the lady struggling with grass-is-eco-friendly syndrome, it's wrenching through the finish. "Waltz," that was produced in Montreal, assisted overturn a lengthy-standing prejudice I have held against Canadian films in Toronto. Formerly, the bar appeared to become lower for local fare (Cronenberg and Guy Maddin making reliable exceptions), but this season, four of the greatest movies I saw were homegrown.Jean-Marc Vallee's "Coffee shop p Flore" constitutes a stylish companion piece to "Waltz" for the reason that it handles a lady visiting terms using the fact her ex-husband's true soulmate is another person. Ingrid Veninger's brave little indie "I'm a Good Person/I'm a Bad Person" (hidden away within the fest's Vanguard section) shows keen understanding of the contradiction between being creatively provocative along with a responsible parent simultaneously. And Philippe Falardeau's inspiring "Monsieur Lazhar" -- a good Algerian refugee who helps a grade-school class deal with their teacher's suicide -- strikes me like a no-brainer for everyone as Canada's foreign-language Oscar submission.JC: It had been also an excellent fest for British company directors -- not only McQueen but additionally Andrea Arnold, whose "Wuthering Levels" reps a bold departure in the classical tradition of literary adaptation, and Davies, who with "The Dark Blue Ocean" shipped an exquisitely motion picture, almost Proustian illustration of stated tradition. Incidentally, both films were co-funded through the now-shuttered U.K. Film Council, a significant participant on "The King's Speech" (which made an essential stay in Toronto this past year on the way to Oscar glory). At the minimum, the UKFC is unquestionably heading out on the high note.Peter, you pointed out the fest's sometimes excessive fuss over galas and stars. Among my most satisfying Toronto encounters was the entire antithesis of individuals things: Argentinian helmer Pablo Giorgelli's pitch-perfect, star-free road movie "Las acacias." Champion of the year's Camera d'Or at Cannes, it is a small movie having a huge heart, also it finishes on some quiet hope and renewal that, divorce lawyer atlanta, should chafe about this festival too. Contact Justin Chang at justin.chang@variety.com

EMMYS: With The Amounts And Full Results

Emmys Live-Blog Backstage Within The Emmys Emmy Analysis: Broadcast TV’s Large Honours Comeback Red-colored-colored Carpet Arrivals WINS BY NETWORK (several includes Creative Arts Emmys) Cinemax … 19 PBS … 14 CBS … 11 Fox … 9 ABC … 8 NBC … 6 Comedy Central … 4 Discovery Funnel … 4 History … 4 ReelzChannel … 4 AMC … 3 Cartoon Network … 3 DirecTV … 2 Disney Funnel … 2 Showtime … 2 WINS BY PROGRAM (several includes Creative Arts Emmys) Boardwalk Empire … 8 Downton Abbey … 6 Mildred Pierce … 5 Modern Family … 5 Most dangerous Catch … 4 Gettysburg … 4 Saturday Evening Live … 4 The Kennedys … 4 Freedom Riders … 3 And That Means You Think You'll Be Able To Dance … 3 64th Annual Tony Honours … 2 The The American Idol Show Show … 2 American Masters … 2 Phineas and Ferb … 2 Firebreather … 2 Friday Evening Lights … 2 Futurama … 2 Wager on Thrones … 2 Glee … 2 Mad Males … 2 The Borgias … 2 The Daily Show With Jon Stewart … 2 Check out a whole report on individuals who win.

EMMYS: Charlie Sheen And Ashton Kutcher, Male Hooking up Backstage And Also On Twitter

Despite fears that Charlie Sheen wouldn’t be on his best behavior through the Emmys tonight, the actorplayed it straight while showing the Outstanding Lead Actor in the Comedy Series award. Minutes later, , his two and a half Males alternative, joked onstage that he's “not Charlie Sheen.” Evidence of that switched on Sheen’s Twitter feed like a photograph of those two stars backstage. Sheen tweeted, “Seriously… @aplusk great speaking for you personally! We’ll be watching! Make us proud!!” Later via Twitter, Kutcher wanted Sheen well on his new gig and looked for his help with his DNA Foundation’s efforts to avoid human trafficking.