Lifetime renews 'Dance Moms'

Lifetime has renewed "Dance Moms" for a 13-episode second season. The audience for "Dance Moms" has increased during its freshman campaign, which ends Oct. 5. Over the past four weeks, the unscripted skein has averaged 1.6 million viewers, a 62% increase over its premiere. For the year, it is averaging 1.3 million. Lifetime also notes that with a median viewer age of 38, "Dance Moms" is the cabler's youngest-skewing original program. Jeff Collins, Bryan Stinson and John R. Corella exec produce "Dance Moms" for Collins Avenue. Contact Jon Weisman at jon.weisman@variety.com

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TV Ratings: 'The Office' Return Dips, 'The Big Bang Theory' Tops Thursday

NBC The competition is getting fierce on Thursday nights. Fox topped the night with the second episode of The X Factor (12.5 million total viewers, 4.3 rating in adults 18-49 demographic). Simon Cowell's new reality competition series tied its series debut on Wednesday in total viewers and retaining most of its demo (4.3 vs. 4.4). So far this week, the network has notched victories for three of the four nights of the fall season. (Tuesday, Wednesday, Thursday). PHOTOS: Fall TV Death Pool: Which Show Will Be Axed First? Still, it was CBS' premiere of The Big Bang Theory (14.1 million, 4.8 and 14.7 million, 5.0) -- the show, airing back-to-back episodes and celebrating Jim Parson's second Emmy win -- that took the crown as the night's highest-rated and most-watched program for its 8:30-9 p.m. telecast. Person of Interest (13.2 million, 3.1), the high-concept drama from J.J. Abrams and Jonathan Nolan was down 9 percent compared to CSI's premiere, but ranked as the most-watched program at 9 p.m. At 10 p.m., The Mentalist (13.6 million, 2.8), down 18 percent from its premiere last year, still won the night in total tune-in. CBS was No. 2 in the demo, averaging a 3.6, but continued to fulfill its name of the "most-watched network," averaging a Thursday high: 13.6 million. PHOTOS: Behind the Scenes of THR's 'X Factor' Cover Shoot ABC's Charlie's Angels reboot (8.7 million, 2.1), though performing well above the launch of My Generation last September, didn't exactly strike a chord with viewers. The two-hour premiere of Grey's Anatomy (10.3 million, 4.1) dipped 24 percent and ranks as the veteran medical drama's lowest-premiere to date. NBC's Thursday night comedy lineup all saw decreases from last year, with most hitting lows for its season openers: Community (4 million, 1.7) dipped 23 percent, Parks & Recreation (4.1 million, 2.0) was down 38 percent and The Office (7.6 million, 3.9), with the reveal of a new branch manager and the first episode of James Spader's as a regular, saw a 11 percent drop. The eighth season opener of The Office is its lowest-rated since the first season. PHOTOS: Fall's 12 Most Anticipated Shows Even Whitney (6.1 million, 3.2) didn't improve upon the debut of work comedy Outsourced, which was canceled after one season, down 11 percent. The lull affected the launch of new series Prime Suspect (6 million, 1.8), the U.S. reboot with Maria Bello, which barely contended with its competition (The Mentalist, Grey's Anatomy) at 10 p.m. Up against heavy competition, the CW dramas The Vampire Diaries (2.5 million, 1.2) and The Secret Circle (2 million, 0.9) both saw steep drops. TV Ratings

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Crix mull Toronto fest's levels, lows

'Shame'Woody Harrelson was notable being an LAPD cop in Rampart. "Your Sister's Sister" Variety's senior film experts weigh in around the breakthroughs and disappointments from the 2011 Toronto Film Festival, which unspooled a selection strong on racy relationship drama, weak on politics and sometimes excessively just a few its stars.Peter Debruge: Under per week into North America's greatest film fest, things all of a sudden got cold in Toronto. The knit tops arrived on the scene, the purchasers went home and also the last couple of nights of gala tests put a definite chill on everyone's enthusiasm. Frankly, the ultimate stretch continues to be something of the disappointment for any festival that began out so strong, packing the kind of "Moneyball," "The Descendants" and "Shame" into its opening weekend.How did this happen? Tell any Toronto native you are around for that festival, and also the question always returns exactly the same: "So, perhaps you have seen any stars?" That virtually describes the fest's most questionable options, including fancy late-week premieres of these disappointments as "Trespass" (which stars Nicole Kidman and Nicolas Cage), "Purple and Daisy" (with Saoirse Ronan and James Gandolfini) and "Winnie," by which Jennifer Hudson and Terrence Howard reveal the unsung love story between your Mandelas.Justin Chang: Using its fabulous clothes and amusing old-age prosthetics, "Winnie" was one love story If only have been left unsung (that goes double for Jennifer Hudson's closing number). Between might Luc Besson's "The Woman,Inch Let me propose a festival moratorium on banal, well-meaning political biopics rather, it'd happen to be nice to possess some movies with a soupcon of actual politics.The possible lack of political emergency was particularly glaring considering the tenth anniversary of 9/11, to start dating ? that cuts especially deep with this September festival. Toronto duly commemorated the big event by showing a sober, rather self-serving tribute clip before tests on Sept. 11. But movies speak even louder than PR gestures, and when the 2010 selection is any suggestion, tales of terrorism and retaliation aren't weighing too heavily on present day filmmakers, who generally appear thinking about having sex, not war. Terence Davies' "The Dark Blue Ocean" and Mia Hansen-Love's "Goodbye First Love" superbly explore the ravages of turned away romance, as well as in their own, frequently fearlessly explicit ways, Sarah Polley's "Take This Waltz," David Cronenberg's "A Harmful Method" and Steve McQueen's "Shame" all test the limitations of forbidden desire.PD: "Shame" tests the limitations, okay, though I did not interact with it the way in which many experts at Venice, Telluride and Toronto did. It's fascinating that Michael Fassbender does the autumn-fest trifecta with both "Shame" and "Method": Within the latter, he plays Carl Jung, whereas "Shame" requires a decidedly non-psychoanalytic method of sex addiction. Rather than explaining, McQueen examines the smoothness through oblique angles, lengthy takes and unspoken moments. It's agonizing by design, though I'd have loved a little more insight or story make it possible for an association using the character.I discovered the approach I needed in another film, Oren Moverman's "Rampart," which signifies an enormous advance for that director of "The Messenger." With several compelling story lines along with a well-established feeling of its characters' backstories, "Rampart" takes us in to the gnarly mind of the corrupt LAPD officer, performed by Woodsy Harrelson, who experiences the film half-cocked with earthworm-thick veins throbbing both in temples. I loved the complexness churning behind his tinted shades -- a pleasant contrast using the zen-like inscrutability from the fest's other great L.A.-set thriller, "Drive."JC: I'll avoid gushing a lot more than I curently have about "Shame," though I'll state that your issues with McQueen's film -- its avoidance of easy identification and embrace of ambiguity -- are virtually the alternative from the problems I'd together with your fest fave, "The Descendants." Not too I do not admire Alexander Payne's bittersweet dramedy it is the smoothest picture of his career and most likely as funny a movie about losing a spouse/parent as anybody has available. However I like my movies about dying to visit lower with a little more sting, especially from the director who's done his best product (for me personally, "Election") within the key of callous satire.For "Rampart," as i did not respond as vigorously while you did, I am entirely agreement about Woodsy Harrelson's terrific performance, and between this and "The Messenger," Moverman is clearly a large talent. Similarly satisfying were the confirmations of early promise from filmmakers like Julia Loktev together with her accomplished and intelligent "The Loneliest Planet" Lynn Shelton together with her terrifically behaved "Your Sister's Sister" (acquired by IFC within this steady although not spectacular sales year) and Polley with "Take This Waltz."PD: No film affected me more at Toronto than "Take This Waltz." Stylistically, the film is nearly off-investing in its sunny cuteness, but, like a portrait of the lady struggling with grass-is-eco-friendly syndrome, it's wrenching through the finish. "Waltz," that was produced in Montreal, assisted overturn a lengthy-standing prejudice I have held against Canadian films in Toronto. Formerly, the bar appeared to become lower for local fare (Cronenberg and Guy Maddin making reliable exceptions), but this season, four of the greatest movies I saw were homegrown.Jean-Marc Vallee's "Coffee shop p Flore" constitutes a stylish companion piece to "Waltz" for the reason that it handles a lady visiting terms using the fact her ex-husband's true soulmate is another person. Ingrid Veninger's brave little indie "I'm a Good Person/I'm a Bad Person" (hidden away within the fest's Vanguard section) shows keen understanding of the contradiction between being creatively provocative along with a responsible parent simultaneously. And Philippe Falardeau's inspiring "Monsieur Lazhar" -- a good Algerian refugee who helps a grade-school class deal with their teacher's suicide -- strikes me like a no-brainer for everyone as Canada's foreign-language Oscar submission.JC: It had been also an excellent fest for British company directors -- not only McQueen but additionally Andrea Arnold, whose "Wuthering Levels" reps a bold departure in the classical tradition of literary adaptation, and Davies, who with "The Dark Blue Ocean" shipped an exquisitely motion picture, almost Proustian illustration of stated tradition. Incidentally, both films were co-funded through the now-shuttered U.K. Film Council, a significant participant on "The King's Speech" (which made an essential stay in Toronto this past year on the way to Oscar glory). At the minimum, the UKFC is unquestionably heading out on the high note.Peter, you pointed out the fest's sometimes excessive fuss over galas and stars. Among my most satisfying Toronto encounters was the entire antithesis of individuals things: Argentinian helmer Pablo Giorgelli's pitch-perfect, star-free road movie "Las acacias." Champion of the year's Camera d'Or at Cannes, it is a small movie having a huge heart, also it finishes on some quiet hope and renewal that, divorce lawyer atlanta, should chafe about this festival too. Contact Justin Chang at justin.chang@variety.com

EMMYS: With The Amounts And Full Results

Emmys Live-Blog Backstage Within The Emmys Emmy Analysis: Broadcast TV’s Large Honours Comeback Red-colored-colored Carpet Arrivals WINS BY NETWORK (several includes Creative Arts Emmys) Cinemax … 19 PBS … 14 CBS … 11 Fox … 9 ABC … 8 NBC … 6 Comedy Central … 4 Discovery Funnel … 4 History … 4 ReelzChannel … 4 AMC … 3 Cartoon Network … 3 DirecTV … 2 Disney Funnel … 2 Showtime … 2 WINS BY PROGRAM (several includes Creative Arts Emmys) Boardwalk Empire … 8 Downton Abbey … 6 Mildred Pierce … 5 Modern Family … 5 Most dangerous Catch … 4 Gettysburg … 4 Saturday Evening Live … 4 The Kennedys … 4 Freedom Riders … 3 And That Means You Think You'll Be Able To Dance … 3 64th Annual Tony Honours … 2 The The American Idol Show Show … 2 American Masters … 2 Phineas and Ferb … 2 Firebreather … 2 Friday Evening Lights … 2 Futurama … 2 Wager on Thrones … 2 Glee … 2 Mad Males … 2 The Borgias … 2 The Daily Show With Jon Stewart … 2 Check out a whole report on individuals who win.

EMMYS: Charlie Sheen And Ashton Kutcher, Male Hooking up Backstage And Also On Twitter

Despite fears that Charlie Sheen wouldn’t be on his best behavior through the Emmys tonight, the actorplayed it straight while showing the Outstanding Lead Actor in the Comedy Series award. Minutes later, , his two and a half Males alternative, joked onstage that he's “not Charlie Sheen.” Evidence of that switched on Sheen’s Twitter feed like a photograph of those two stars backstage. Sheen tweeted, “Seriously… @aplusk great speaking for you personally! We’ll be watching! Make us proud!!” Later via Twitter, Kutcher wanted Sheen well on his new gig and looked for his help with his DNA Foundation’s efforts to avoid human trafficking.

REVIEW: Ryan Gosling Is the Goslingest in Superb, '70s-Inflected Drive

Some actors are chameleons, shifting drastically from one color to another depending on the role. Ryan Gosling may not be one of them: There will always be a little Ryan Gosling, even just a mischievous glimmer, in any character the actor plays. But then, that’s part of what makes a movie star a movie star: It’s impossible to separate Cary Grant from his Cary Grantness, or to think of Bette Davis without seeing an enormous pair of eyes framed by mascara fringe. Though Gosling is still young, he’s at his Goslingest in Nicolas Winding Refn’s Drive, playing a Hollywood stunt driver who moonlights as a wheelman. Drive is a vibrant and meticulous piece of filmmaking, an homage to existential driving movies of the ’70s like Richard C. Sarafian’s Vanishing Point and Walter Hill’s The Driver. Refn — the Danish-born director who may be best known for his Pusher trilogy — understands the heart of his hero, a maestro who coaxes music from the gas pedal. The action sequences serve the conception of the character, not the other way around, an important distinction to be made in a time where there’s an undistinguished action movie being released almost every week. (The screenplay is by Hossein Amini, from James Sallis’s novel.) Drive has a pulse, a soul and a style — three elements that don’t always come together in contemporary entertainment — and they’re all channeled though the conduit known as Gosling. We know Gosling’s character only as Driver, a laconic man of action whose very name doubles as a job description. By day, he’s a movie stunt driver and car mechanic. By night he acts as a chauffeur for bandits and baddies, and his preternatural sense of calm behind the wheel — a toothpick perches delicately between his lips — is a little like Fred Astaire’s dancing: He makes it look like it’s nothing. Driver involves himself in his employers’ activities only tangentially and only for the amount of time it takes him to shuffle them from here to there. After that, they’re on their own — in the movie’s taut and exquisite opening sequence, he ends a tense chase by slipping off on foot into the night, an everyman being absorbed into an anonymous crowd as if he were a minnow rejoining his school. When he’s not driving, Driver has a crush on a neighbor in his apartment building, Irene (Carey Mulligan), a for-now single mom with a young son. Just as their romance starts to heat up — and after Driver has bonded with her kid, beginning with a captivating, exceedingly dry exchange that begins, “Wanna toothpick?” — Irene’s husband, Standard Guzman (Oscar Isaac) is sprung from jail. He may be free, but he’s not out of trouble. And when Standard’s thuggish pals threaten his family, Driver takes a job just to help him out, not realizing that the real danger at hand involves Albert Brooks’ two-bit crime boss and his overgrown, velour-sweatsuit-wearing sidekick, played by Ron Perlman. If you’re thinking Driver is the quintessential laid-back selfless hero, cool as cool can be in the Steve McQueen mode, the kind of guy you’ve seen hundreds of times in good movies and in bad ones — you’re right. In fact, if you’ve watched any movies made in the past 40 years, you’ll see and hear lots of familiar elements in Drive: The slightly grainy, low-lit look of ’70s cheapies (the DP is Newton Thomas Siegel); the new-wave neon-pink script used in the credit sequences; the at-first jarring but later sublimely perfect ’80s-style synth score. Refn doesn’t pretend to have invented any of this stuff. His movie is 90 percent unapologetic referencing, and he knows how to recombine familiar elements in a way that feels fresh and exciting. Refn has a knack for both violence and romance: The love scenes between Mulligan and Gosling are casual and sweetly unassuming. There’s lots of brutality in Drive, and while it isn’t always discreet, it’s not assaultive, either. (Refn isn’t a slavish Tarantino imitator, but it’s clear they share certain tastes in terms of references and tone.) And Gosling isn’t lost amid the movie’s violence, which sometimes happens to actors unaccustomed to playing action roles. Instead, the picture’s brutality seems to be a quivering compass arrow for him — he follows it to find the heart of his character, walking the line between being minimalist and mannered. Gosling’s Driver is all about sharp reflexes and meaningful eye contact, and he has a jazz musician’s ear for language — he knows everything sounds cooler when it’s just a hair behind the beat. Even the movie’s simple costuming is pure genius: Driver’s signature garment is a silver baseball jacket with an abstract scorpion stenciled on the back. Its very contrivance is part of its brilliance. Flashier than, say, McQueen’s (or Dean’s) Baracuta, it’s a garment that hisses “Look at me!” only to turn around and whisper, “Now you see me, now you don’t.” Drive could have been the best drive-in feature of 1975. As it is, it’s likely to be the best action movie of 2011. Refn hasn’t invented a new language; it’s just that he uses the vocabulary so well — he’s got the right tools and the right touch. The movie’s newness is, paradoxically, intertwined with an appreciation for the past. Drive is a picture retooled from vintage parts, proof that you can build them like they used to. [Portions of this review appeared earlier, in a different form, during Movieline’s coverage of the 2011 Cannes Film Festival.]

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Netflix Shares Tumble on Modified Customer Growth

Shares of Netflix were falling apart by a lot more than 15 % in midday buying and selling after the organization acknowledged that it is questionable cost hike of 60 % on a single of their most widely used plans might cost it a million customers.our editor suggests CBS, Netflix Sign Two-Year Content Agreement ICMs Chris Silbermann on New Network Chiefs, Netflixs Impact and also the Quite Interesting Pilot Season STORY: Netflix Responds: Starz Submissions Are 'Down to 8Percent of Domestic Netfilx Customers' Viewing' The organization on Thursday cut its customer estimations for that finish from the third quarter to 24 million within the U.S., although it had forecast two several weeks ago it might finish the quarter with 25 million subs. STORY: Netfilx Stock Drops 8% After Starz Renewal Talks Finish Shares from the formerly highflying stock were off around $33 on Thursday and also have sunk 40 % since Netflix introduced its cost hike in mid This summer. The stock is all about in the cost it began the entire year at, but nonetheless up nearly 300 percent previously 2 yrs. STORY: Netflix Cost Increases Work Thursday Netflix has mostly been a Wall Street darling, with lots of experts even bullish within the cost hike. Lately, though, bears happen to be more vocal within their opinion the stock was headed for any fall, especially because the cost of obtaining content for streaming has risen roughly ten-fold previously 3 years approximately. While problematic for Netflix, the dramatic increase in the worthiness privileges to stream Television shows and films on the internet is really a boon to content designers. On Thursday, for instance, forecasters at Trefis stated Time Warner shares should rise to $38.90 because Netflix and it is rivals need its content. Shares of TW were up 2 percent Thursday to $30.47 in midday buying and selling. Related Subjects Netflix

Matt Damon Gets His Jerry Maguire Moment in First Trailer for 'We Bought a Zoo'

As you may have heard, Scarlett Johansson is having a rough Wednesday. Thankfully, better days are on the horizon -- at least professionally. Judging from the newly release trailer for 'We Bought a Zoo,' Johansson and co-star Matt Damon could have a big, fat holiday hit on their hands come December. Directed by Cameron Crowe -- who hasn't helmed a fiction film since 'Elizabethtown' bottomed out his career in 2005 -- 'We Bought a Zoo' is based on Benjamin Mee's memoir, which recounts his attempts to rebuild following the death of his wife. (With 'Zoo' and 'The Descendants,' the holiday season is chock-a-block with forlorn fathers.) For Mee, that included purchasing a run-down zoo in the English countryside and moving their with his young children; for Movie Mee (Damon), that means buying a zoo in the California countryside and giving his kids an "authentic American experience." It sounds contrived -- and reviews of Mee's memoir were mixed -- but the trailer hums along on the charm of Damon, Johansson, Thomas Haden Church and the Sigur Ros song 'Hoppípolla' (which you might remember from the trailer for 'Children of Men'; Sigur Ros frontman Jónsi is scoring 'Zoo'). If you're still not convinced of the potential for 'Zoo,' note that the trailer also features a 'Jerry Maguire'-like moment when Damon quits his job, 'Almost Famous' star Patrick Fugit and adorable zoo animals. Welcome back, populist savior Cameron Crowe! Head over to Apple to watch the trailer in HD. 'We Bought a Zoo' is in theaters on Dec. 23. Photo: Neal Preston/Twentieth Century Fox

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Pimstein towards the new the new sony TV publish

The brand new the new sony Pictures Television has attracted on former Univision professional Veronica Pimstein as senior V . p . of creative, Latin America/U.S. Hispanic production. She'll oversee production inside the lately created role. Pimstein was professional producer of dramatic production for Univision Telefutura, where her credits include "La marca del deseo" (2008), "Amas p casa desesperadas (2008)," "Asi es la vida" (2007-08) and "Por amor" (2006-07). She also was producer and editor for your U.S. Hispanic versions of "India" (2010) and "Vecinos" (2009). Pimstein began becoming an connect producer for Mexico's Televisa on children's series "Carrusel," which increased being Mexico's top-rated telenovela. In this role, Pimstein assisted with creating numerous telenovelas and primetime dramas, becoming connect producer for "Simplemente Maria," connect producer and sole adapter for "La pcara sonadora" (1992-93) and professional producer of "Marimar" (1994-98). Contact the number newsroom at news@variety.com

Exclusive Alien Blu-Ray Clip

Discover concerning the AT-AT with Dennis MurenYou may have observed the certain quantity of films have hit Blu-ray today - Alien: The Whole Saga, more specifically. Well, to offer you a little taste from the products they contain this is a clip of VFX guru (technically, Effects Director Of Photography) Dennis Muren speaking us through how the look of the legendary AT-AT came to exist. The AT-AT, since you will all remember, might be the All-Terrain Armoured Transport that carried out an important role inside the fight of Hoth within the Wild Bunch and inspired a legion of awesome T-t t shirts. Alien: The Whole Saga is going on Blu-ray today in many its shiny hi-def glory. Pressure Will probably be around always!

'Vamps' shuts foreign deals

Deals are actually closed for a lot of foreign areas on Amy Heckerling's romantic comedy "Vamps."Parlay Films introduced Saturday within the Toronto Film Festival it had closed deals on Germany with Wild Bunch and France with Metropolitan.Pic's written and directed by Amy Heckerling ("Not aware") starring Alicia Silverstone and Krysten Ritter as two youthful beautiful female vampires of the underworld from the underworld living the truly amazing evening existence in current day New You'll be able to.The film co-stars Serta Stevens, Richard Lewis, Sigourney Weaver, Wallace Shawn, Justin Kirk, Malcolm McDowell and Kristen Johnston.Other foreign sales include eOne in Benelux, Tanweer in India/Pakistan, Swen in South usa, Leopolis in CIS/Baltic States, SPI for Eastern Europe, Village Roadshow inside a vacation in a holiday in greece/Cyprus, Myndform in Iceland, PT Amero in Indonesia, CineSky for Intl Airline carriers, Shapira Films LTD. via Fintage in Israel, Novelty helmet within the center East, Pioneer inside the Philippines, PRIS Audiovisuais in Portugal, Scanbox in Scandinavia, Shaw in Singapore, Nu Metro in Nigeria, Ascot in Europe, Peace in Taiwan, and Pinema in Chicken.Cassian Elwes and Kevin Iwashina are handling the domestic rights within the Toronto Worldwide Film Festival. "Vamps" is produced by Lauren Versel under her Lucky Monkey Pictures banner, Molly Hassell, Stuart Cornfeld's Red-colored-colored Hour Films and Lucky Monkey Pictures partner Maria Teresa Arida. Contact Dork McNary at dork.mcnary@variety.com

Miramax Bolsters World Sales Unit With New Topper And A London Office

Miramax announced today that it is growing its worldwide sales organization by opening its first international office in London. As part of the initiative, former MGM Worldwide Television Group executive Joe Patrick has been promoted to run worldwide sales, and former Power Television CEO and Sony TV exec Danny Goldman has been hired as SVP and Head of Sales, Europe, reporting to Patrick and to be based in London. Patrick will work closely with SVP Global Digital Beth Minehart and continue to report to Miramax CEO Mike Lang. The new London office, in Covent Garden, is expected to be up and running this month. “Opening the London office as our European hub is an important step in our companys evolution, and we are thrilled to have a presence on the ground,” Lang said in announcing the moves.

Starz ups two to lead digital unit

WinokurKatzStarz has upped a pair of execs to lead its digital-media division.Mara Winokur will take the top job at the unit, serving as senior VP digital media, business development and strategy. Also promoted is David Katz, who goes from executive director to VP.The execs step in to fill the shoes of Marc DeBevoise, who exited in June to CBS Interactive, where he replaced Anthony Soohoo as senior VP and GM of the unit's entertainment division."Starz Digital Media is in very capable and creative hands with Mara and David and I congratulate them on their respective promotions," said Ed Huguez, executive VP affiliate sales and marketing, to whom Winokur reports.Winokur will lead digital initiatives across Starz's business units. Starz often deploys digital extension to its programming including a "Spartacus" Facebook game and "Pillars of the Earth" iPad app. Winokur's previous stints included digital-minded posts at EMI Music Entertainment and Sony BMG Entertainment. Contact Andrew Wallenstein at andrew.wallenstein@variety.com

5 Things You Don't Know About Two and a Half Men's Angus T. Jones

Angus T. Jones Angus T. Jones puts the "half" in Two and a Half Men and, by our count, gets less than half the attention that his fellow teen stars - let alone his ex-costar Charlie Sheen - get. And yet he is one of the most successful, not to mention loaded, young actors in the biz. As the revamped Men gears up for Season 9, here are five things to know about the low-key Jones, who has been playing Jon Cryer's underachieving son, Jake, since he was 9.What's on your Watchlist? Create one and add your favorites, like Two and a Half Men 1. Jones, who turns 18 on Oct. 8, is the highest-paid child TV actor after signing a $300,000-per-episode contract last year, guaranteeing him $7.8 million over two seasons. Oh yeah, there's also that hefty $500,000 signing bonus. Under his previous contract, he earned $250,000 an episode. The next highest-paid minor on the list: iCarly's Miranda Cosgrove, who reels in $180,000 per episode.2. An Austin, Texas, native, Jones and his family moved to Los Angeles when he was 4, but he never wanted to be an actor. Instead, his mom took him to auditions hoping he could make some money for his college savings. Jones started doing commercials and had a small part in the 1999 film Simpatico. He landed his first major film role, See Spot Run opposite David Arquette, when he was 6.3. Jones was the only child actor Chuck Lorre and Men producers saw for the part of Jake. Lorre asked Jones to audition after seeing his turn as Dennis Quaid's son in The Rookie and immediately offered him offered the job afterward. Jones learned he was cast as he was leaving the audition. Exclusive: Ashton Kutcher, Jon Cryer and Angus T. Jones on the new Two and a Half Men4. Men is notorious for its racy jokes and sexual innuendoes, but Jones has never asked his castmates or producers to explain the adult humor to him - even if they wanted to. "At one point I asked him if he wanted to know and he said no," Cryer told The Los Angeles Times in 2009. "He doesn't bring it up with me. He's not like a lot of boys."5. Had Men ended after the Sheen debacle earlier this year, Jones would've been perfectly fine with it as he would've returned to school for a regular year. Education has always been a main focus of the actor and he plans to go to college. After that? Who knows? Jones has said he's not sure if he wants to continue acting.Two and a Half Men returns Monday, Sept. 19 at 9/8c on CBS.

Paperwork, characters boost French TV exports

BIARRITZ -- Driven by documentary and animation programs sales, French TV exports rose 5.1% this year to achieve e105.six million ($148.4 million), based on figures revealed Wednesday in the TVFI Biarritz Rendez-Vous. TVFI's Mathieu Bejot stated the marketplace rebound concerned buying and selling volume a lot more than revs. "New digital channels that are presently important purchasers of French programs but they're generally trading less in original programming compared to traditional terrestrial tv stations," based on the report put together through the CNC and TVFI. Animated programs' sales advanced 9.1% to $48.9 million pounds, while docus' rose 13.7% to $37.a million. Formats ongoing to develop, producing $24.a million, a 4.9% increase on 2009. Meanwhile, drama sales fell 11.6% to $26.8 million. Bejot stated the revenue drop was mainly because of decreasing production levels and also the wrap of these best-selling, lengthy-running series as "Navarro" and "Julie Lescaut." Bejot also stated specific good examples of fiction drama series which have obtained top rankings overseas, for example "Spiral, " that is offered by Newen Distribution. "Spiral"'s format continues to be optioned by BBC America, per Bejot. Worldwide co-production investment rose 7.2% to $88.two million and pre-sales fell 12.9% to $42.8 million. These figures were bolstered through the comicbook-based series "XIII," that was commissioned by Canal Plus and received large co-production and pre-sales investment in the U.S. and Canada, based on Caroline Jeanneau, mind of studies and statistics in the CNC. The European Union continued to be no. 1 consumer of Gallic programs, repping just below 60% of French exports' total sales revenues with $87.4 million put in 2010. Sales to The United States rose 28.3% to $17.3 million, while Latin America's rose 61.1% to $5.two million. Scandinavia demonstrated the greatest spike with additional 66.6% to $10.two million. Deals to Asia also rose 18.6% to achieve a proper $14.3 million, driven with a progression in sales from Southeastern Asian nations including Japan. Contact the range newsroom at news@variety.com

Disney's Mind of Consumer Items Resigns

Andrew Mooney stated Tuesday he'll resign as mind of Disney's small but fast-growing consumer items business to pursue a leadership role with another organization as well as on corporate boards.our editor suggests Disney Taps Kathryn Kranhold as SVP, Corporate Communications'Avengers,' 'John Carter,' 'Brave': The Five Best Presentations at Disney's D23 Expo STORY: Disney Faces Publish-Jobs Future Mooney became a member of Disney as leader of consumer items in 1999 soon after decades with Nike and grew to become the unit's chairman in 2003. He's credited with creating the Disney Princess and Disney Fairies franchises. PHOTOS: Disney Generation's new Rising Stars In the newest quarter Disney's consumer items segment published a practical profit of $155 million, up 32 percent in the year-ago quarter, on the 13 percent revenue gain to $685 million. STORY: Disney Announces Two New Pixar Projects "Together we now have significantly transformed the certification business," Mooney authored inside a letter to his employees. "The contributions that Andy makes to Disney happen to be enormous," stated Disney leader and Boss Robert Iger. "Not just has he consistently shipped business results every year, but his target the Disney logo and the roll-out of new franchises like Disney Princess will leave a legacy for many years.Inch Related Subjects Robert Iger The Wally Disney Company

Rizzoli & Isles: The Way Jane Experience Tommy Relationship Maura?

Sasha Alexander, Colin Egglesfield, Angie Harmon How can you think hardened Detective Jane Rizzoli (Angie Harmon) will feel when her screw-from a brother, Tommy (Melrose Place's Colin Egglesfield), starts to the court her closest friend, Dr. Maura Isles (Sasha Alexander)? That question is going to be elevated when Egglesfield makes his go back to TNT's Rizzoli & Isles (10/9c, Monday). "He begins to possess a little factor with Maura Isles because he's residing in her house," Egglesfield informs TVGuide.com. "They begin playing some chess games together and, type of such as the Thomas Crown Affair, there is a little sexual chemistry that begins to build up between the pair of them.Inch Watch full instances of Rizzoli & Isles within our Movie Guide Clearly, Jane is going to be displeased that Tommy, who lately finished a prison term, is going to be attempting to corrupt Maura -- a minimum of that's how Jane sees it. "She's certainly someone who's unhappy with this particular because she knows Tommy and she or he knows how unpredictable he is able to be," he states. "So, not just is Jane apprehensive of letting Maura try Tommy for your reason, since it is her closest friend, but Tommy's the type of guy who loves to push individuals buttons and he's pushing Jane's." As the relaxation from the Rizzoli family knows such a misfit Tommy is, Maura offers him a new beginning. "When Tommy's together with her, she's a feeling of groundedness he lacks in the existence," he states. "Simultaneously, I believe Tommy is exciting for Maura because he's just a little harmful." TNT renews Rizzoli & Isles for Season 3 Still, Egglesfield is quick to protect Tommy, who he states is not always the theif the Rizzoli family makes him to be. "The more he's around, the greater you begin to determine that he's a great guy which you want to trust him, but simultaneously, he isn't someone you intuitively would trust due to his past record.Inch Err. Maybe he'll end up being an effective suitor for Maura. Who does not need to see a lot of Melrose Place alum around? Rizzoli & Isles airs Mondays at 10/9c on TNT.

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